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Fun Fair at Daisy Nook (1953), for example, captures a sunny afternoon at the Lancashire Easter Fair. With his typical powers of observation and eye for detail, Lowry depicts balloon and whirligig sellers, children in pointed hats, dogs and prams; a slice of urban life on holiday.
In Procession in South Wales, Whit Monday (1963), he takes as his subject an annual walk marking the Christian holiday of Pentecost Monday. There are still the crowds, but now these people are increasingly at play, not work.
It’s worth noting, however, that while his best-known scenes teem with life, he also painted many with no people at all. The Footbridge, dating from just after the war, combines the artist’s compulsion to depict the streets, railway lines and viaducts of his home town, Salford, with his melancholic sense of isolation, creating an image of quiet poignancy.
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