Magdalena Suarez Frimkess, a Venezuelan-born and Los Angeles-based artist, is the focus of a LACMA exhibit opening Sunday, Aug. 18 of her works over five decades in a show titled, “Magdalena Suarez Frimkess: The Finest Disregard.”

Born in 1929, she is best known for her works in clay, and was trained in painting, print-making, and sculpture in Venezuela, Chile, and New York. Three cartoon characters recur throughout her works including an anguished Olive Oyl, an unaware Minnie Mouse and the shrewd Condorito—a Chilean cartoon from the 1950s.

The Finest Disregard show features a broad mix including ceramics, paintings, and drawings, and one group of works is described by the museum as “an important selection of works made collaboratively with her husband, Michael Frimkess.”

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In its description, LACMA explained, “Although her work is usually considered to stand outside the California ceramic tradition, this exhibition demonstrates otherwise. With many works shown in public for the first time, The Finest Disregard offers insights into the artist’s fascination with art history books, popular media, cartoons, animation, autobiography, and the humor found in the folds between the layers of everyday life.”

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