By Harry Howard, History Correspondent

07:21 10 Jan 2024, updated 10:36 10 Jan 2024

  • Boty also worked as an actress and appeared alongside Michael Caine in Alfie



She was an actress, a dancer and, most impactfully, a painter who became the only female icon of the Pop Art movement. 

But, due to her death from cancer at the age of just 28 in 1966, Pauline Boty never achieved the fame of contemporaries such as David Hockney and Peter Blake. 

Now, a new exhibition is bringing the radical artist’s life and works to public attention once again.

Pauline Boty: A Portrait, which is running at the Gazelli Art House in west London, is displaying several of her works, including one which celebrates the rise of the communist regime of Cuba‘s Fidel Castro

She was an actress, a dancer and, most impactfully, a painter who became the only female icon of the Pop Art movement. But, due to her death from cancer at the age of just 28 in 1966, Pauline Boty never achieved the fame of contemporaries such as David Hockney and Peter Blake. Above: Boty recreating one her paintings in her studio
Boty is seen sitting nude atop a chaise-longue and holding Peter Blake’s heart artwork
Pauline Boty: A Portrait, which is running at the Gazelli Art House in west London , is displaying several of her works, including one which celebrates the rise of the communist regime of Cuba ‘s Fidel Castro

Another, the 1962 work Colour Her Gone, celebrates the life of Hollywood superstar Marilyn Monroe, who died in the August of that year aged just 36.   

The earliest work in the exhibition is a self-portrait that Boty painted when she was a teenager in 1955. 

The painting celebrating the Cuban Revolution is titled Cuba Si – after the 1961 film of the same name – and depicts jubilant locals on horseback, with the country’s flag in the foreground.

Her other works were notable for their critiques of the social norms of the day and the male-dominated world she mixed in.  

Famed TV interviewer David Frost chose the artist as his ideal woman, saying: ‘I’ve seen her on television a couple of times and she looks like a super bird to me.’ 

During her career as an actress, Boty had a small role alongside Michael Caine in 1966 classic Alfie, in which she appeared as the manager of a launderette
Boty is seen in 1960 attending a protest march against the proposed redevelopment a property in London
Boty is seen in 1963 in a bikini talking to her husband, the literary agent Clive Goodwin
Boty posing on stage during the production of the play ‘Afternoon Men’ at the New Arts Theatre in London in 1964
Artist and actress Pauline Boty poses for a photo at her home in 1963
The artist was influential but never achieved the fame of contemporaries such as David Hockney due to her early death

She and her husband Clive Goodwin, a literary agent, were a notable couple in arts and entertainment circles in the so-called ‘swinging’ 1960s. 

The new exhibition also reveals archive materials from her time on screen.  

During her career as an actress, Boty had a small role alongside Michael Caine in 1966 classic Alfie, in which she appeared as the manager of a launderette. 

She also appeared in several BBC TV and radio productions.

Boty’s work With Love to Jean-Paul Belmondo, which she produced in 1962
The 1962 work Colour Her Gone celebrates the life of Hollywood superstar Marilyn Monroe, who died in the August of that year aged just 36
The earliest work in the exhibition is a self-portrait that Boty painted when she was a teenager in 1955
Also on display are archive photographs, including the above portrait photos of Boty
A 1963 painting displaying ‘Big Jim’ Colosimo, the Italian-American mafia crime boss
Pauline Boty: A Portrait runs at the Gazelli Art House in west London until February 24

The Gazelli display also reveals video footage from her acting days, along with archival photographs – including one that shows her nude atop a chaise-longue. 

Boty was born in south London in 1938. 

She began her artistic journey with a scholarship to the Wimbledon School of Art in 1954, before continuing her studies at the Royal College of Art in 1958. 

Boty’s cancer was discovered during a prenatal exam. She refused an abortion or the option of chemotherapy over fears it may harm her unborn child.  

She died in the Royal Marsden Hospital in Chelsea just four months after giving birth to her daughter.

Pauline Boty: A Portrait runs at the Gazelli Art House in west London until February 24. 



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