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2,000-year-old rock art reveals cultural history
Their comprehensive findings, recently published in the prestigious journal Antiquity, reveal a rich tapestry of motifs and styles, suggesting that the engravings were created over a significant period, dating back at least 2,000 years. The discovery of similar motifs on pottery fragments unearthed in the region further supports this chronological timeline. This indicates a deep-rooted cultural tradition and a sustained artistic practice among the ancient inhabitants.
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Rock engravings were messages along ancient trade route
These engravings are positioned along the Atures Rapids, a vital prehistoric trade and travel route known for its challenging navigation. It suggests a deliberate intention to communicate with diverse groups traversing this crucial waterway. The rapids would have posed a natural barrier and gathering point for travelers, making it an ideal location for displaying these symbolic messages. This placement may have served to establish territorial claims, offer warnings, or convey cultural narratives to a wide audience.
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Snake symbols were powerful messages in ancient art
A prominent motif recurring throughout these engravings is that of snakes, most likely representing boa constrictors or anacondas. These serpents are often associated with both creator deities, responsible for shaping the world, and formidable forces capable of inflicting harm or death. The presence of these serpentine figures in rock art underscores their role as potent symbols of power and territoriality.
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Decoding ancient rock art: meanings and motives
Dr. Riris proposes that the engravings could have served as a multi-layered form of communication, conveying a range of messages to both local inhabitants and those passing through the region. The imposing nature of the snake figures may have acted as a warning or a deterrent, signifying that this territory was occupied and that specific social norms and behaviors were expected. The engravings could also have served as a visual representation of local identity and cultural affiliation.
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Atures rapids were a prehistoric cultural crossroads
The engravings are mostly found near the Atures Rapids on the Orinoco River. This area was a major travel and trade route in prehistoric times, making it a central meeting point for different groups. Therefore, leaving these marks would have been crucial for showing who lived there and establishing their presence.
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Indigenous communities key to rock art preservation
The research team advocates for the active involvement of Indigenous communities in the ongoing study and conservation of these culturally significant sites. By respecting and incorporating Indigenous knowledge and perspectives, researchers can gain a deeper understanding of the meanings and purposes behind these enigmatic engravings.
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Preserving rock art through legal and local protection
To ensure the long-term preservation of these sites, the research team has partnered with the Colombian and Venezuelan governments. Together, they have officially registered the rock art locations, recognizing their importance and safeguarding them under national heritage laws. This collaborative effort not only protects the engravings but also empowers the local communities to actively participate in their conservation and management.